![\"\"](\"http:\/\/ticaret.edu.tr\/gorsel-iletisim-tasarimi\/wp-content\/uploads\/sites\/12\/2024\/04\/Ekran-Resmi-2024-04-22-15.08.57.png\")
<\/p>\n\u0130stanbul Ticaret \u00dcniversitesi, G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 B\u00f6l\u00fcm Ba\u015fkan\u0131 Prof. Dr. R\u0131dvan \u015eent\u00fcrk\u2019\u00fcn Avangart sanat hareketlerine k\u00f6kl\u00fc bir tart\u0131\u015fma zemini sunan eseri \u201cAvangart Sinema ve Resim\u201d okuyucuyla bulu\u015ftu.
\nKitab\u0131 de\u011ferli k\u0131lan unsurlardan biri ise; optik biliminin, dolay\u0131s\u0131yla sinema, foto\u011fraf gibi optikle ili\u015fkili g\u00f6rsel sanatlar\u0131n da babas\u0131 kabul edilen \u0130bn-ul Heysem\u2019in 1000 y\u0131l \u00f6nce kaleme ald\u0131\u011f\u0131 Kitab-ul Menaz\u0131r\u2019\u0131n ilk kez T\u00fcrk\u00e7e bas\u0131m\u0131 ile e\u015f zamanl\u0131 ve ayn\u0131 yay\u0131nevinden e\u015fle\u015ftirilmi\u015f eser olarak yay\u0131nlanmas\u0131.<\/p>\n
\u0130stanbul Ticaret \u00dcniversitesi, \u0130leti\u015fim Fak\u00fcltesi G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 B\u00f6l\u00fcm ba\u015fkan\u0131 Prof. Dr. R\u0131dvan \u015eent\u00fcrk\u2019\u00fcn kaleme ald\u0131\u011f\u0131 \u201cAvangart Sinema ve Resim\u201d eserinde avangart sinema ak\u0131mlar\u0131na dair geni\u015f bir \u00e7er\u00e7eve sunuluyor. Kitap, \u00fclkemizde avangart sinema tart\u0131\u015fmalar\u0131n\u0131n sanat camias\u0131 ve ileti\u015fim fak\u00fcltelerinde yeterince kendisine yer bulamad\u0131\u011f\u0131 ger\u00e7e\u011finden hareketle, avangart ak\u0131mlar\u0131n anla\u015f\u0131lmas\u0131na imkan sa\u011flarken, Avangart kavram\u0131n\u0131n niteliklerine ili\u015fkin de k\u00f6kl\u00fc bir perspektif sunuyor.
\n1000 YIL \u00d6NCES\u0130NE SELAM
\nProf. Dr. \u015eent\u00fcrk, kitapla ilgili sosyal medya da yapt\u0131\u011f\u0131 payla\u015f\u0131mda Uzam Yay\u0131nlar\u0131 taraf\u0131ndan 1000 y\u0131l sonra Arap\u00e7a\u2019dan T\u00fcrk\u00e7e\u2019ye ilk kez terc\u00fcme edilen Kitab\u2019ul Menazir (Optik) kitab\u0131na at\u0131fta bulunarak \u201cNas\u0131l da \u00f6r\u00fcyor kader a\u011flar\u0131n\u0131! Ya\u015fad\u0131\u011f\u0131m\u0131z hayat boyunca y\u00fczle\u015fti\u011fimiz insanlar ve ger\u00e7ekler, \u00f6zg\u00fcr ve \u015ferefli bir yolculu\u011fun modellerine de\u011fil, hi\u00e7li\u011fin ve \u00f6l\u00fcm\u00fcn maskelerine d\u00f6n\u00fc\u015f\u00fcrken, iki kitap ayn\u0131 zaman diliminde ve Uzam Yay\u0131nevi\u2019nde bulu\u015fuyor\u201d ifadelerini kullan\u0131yor.
\nAVANGART, ANLAMANIN ANAHTARI
\n\u201cAvangart Sinema ve Resim\u201d isimli eserde bir ara\u00e7 olan filmin ne oldu\u011fu, nas\u0131l olmas\u0131 gerekti\u011fi sorusundan hareket eden avangart anlay\u0131\u015flar\u0131n yeterince tart\u0131\u015f\u0131lmadan sinema tarihinin, d\u00f6nemlerinin, ak\u0131mlar\u0131n ve anlat\u0131m yap\u0131lar\u0131n\u0131n yeterli \u015fekilde anla\u015f\u0131lamayaca\u011f\u0131 vurgulan\u0131yor.
\nBu \u00e7er\u00e7evede kitapta ana-ak\u0131m sineman\u0131n d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecinde etkileri olan ilk avangart hareketlerden empresyonist, ekspresyonist, dadaist ve s\u00fcrrealist film \u00f6rnekleri d\u00f6nemin \u015fartlar\u0131 i\u00e7erisinde sorgulan\u0131p ele al\u0131n\u0131yor. Eser ayr\u0131ca sineman\u0131n ger\u00e7eklikle kurdu\u011fu ontolojik, etik-estetik ve epistemolojik ili\u015fkinin geli\u015fme s\u00fcrecinde nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc sorguluyor.
\nKitapta avangart hareketlerin karakteristik \u00f6zellikleri verildikten sonra geleneksellik, avangart hareketler ve ger\u00e7eklik sorununa dair bir makale okuru kar\u015f\u0131l\u0131yor. Sonras\u0131nda yer alan \u201cModernle\u015fme S\u00fcreci ve Romantik Bunal\u0131m K\u00fclt\u00fcr\u00fc\u201d ba\u015fl\u0131kl\u0131 denemenin ard\u0131ndan avangart hareketlere dair genel bir \u00e7er\u00e7eve sunuluyor. G\u00fcn\u00fcm\u00fczdeki durumun aktar\u0131lmas\u0131n\u0131n ard\u0131ndan film incelemelerine ge\u00e7iliyor. Eserin sonunda ise \u201cG\u00fcn\u00fcm\u00fczde Sinema, Sanat ve Transformasyon\u201d ba\u015fl\u0131kl\u0131 makale okuru kar\u015f\u0131l\u0131yor.<\/p>\n
BA\u015eYAPIT
\nModern fen bilimlerinin, dolay\u0131s\u0131yla da \u0131\u015f\u0131\u011fa h\u00fckmetme sanat\u0131 olarak adland\u0131r\u0131labilecek sineman\u0131n babas\u0131 kabul edilen \u0130bn\u00fc\u2019l-Heysem, 10-11. y\u00fczy\u0131llarda ya\u015fayan ve modern opti\u011fin babas\u0131 say\u0131lan Fizik, Matematik ve Astronomi alimi. \u0130bn-i Heysem\u2019in optik alan\u0131nda en \u00f6nemli eserlerinden biri olan Kitab-\u00fcl Menaz\u0131r ile modern opti\u011fin temellerini atm\u0131\u015ft\u0131r. Kitab-ul Menaz\u0131r, optik ile ilgilenen Avrupal\u0131 bilim insanlar\u0131n\u0131n da yakla\u015f\u0131k 17. y\u00fczy\u0131la kadar yararland\u0131\u011f\u0131 ba\u015fyap\u0131tlar aras\u0131nda yer al\u0131yor. Heysem\u2019in \u0131\u015f\u0131nlar\u0131n k\u0131r\u0131lmas\u0131 ve yans\u0131mas\u0131 konusunda ortaya koydu\u011fu deneyler sonucunda \u00fcretti\u011fi bilgi, sonraki yakla\u015f\u0131k 500 y\u0131l boyunca a\u015f\u0131lamad\u0131.<\/p>\n
<\/p>\n
Kaynak: \u0130stanbul Ticaret \u00dcniversitesi<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130stanbul Ticaret \u00dcniversitesi, G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 B\u00f6l\u00fcm Ba\u015fkan\u0131 Prof. Dr. R\u0131dvan \u015eent\u00fcrk\u2019\u00fcn Avangart sanat hareketlerine k\u00f6kl\u00fc bir tart\u0131\u015fma zemini sunan eseri \u201cAvangart Sinema ve Resim\u201d okuyucuyla bulu\u015ftu. Kitab\u0131 de\u011ferli k\u0131lan unsurlardan biri ise; optik biliminin, dolay\u0131s\u0131yla sinema, foto\u011fraf gibi optikle ili\u015fkili g\u00f6rsel sanatlar\u0131n da babas\u0131 kabul edilen \u0130bn-ul Heysem\u2019in 1000 y\u0131l \u00f6nce kaleme ald\u0131\u011f\u0131 Kitab-ul […]<\/p>\n","protected":false},"author":43,"featured_media":1260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"\n